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Growing up during the 1960s music revolution, Mhlanga remembers his mother playing Ella Fitzgerald and Mahalia Jackson records. However, it was his professional musician brothers, William and Shaft, who introduced him to the guitar and who were his first inspirations.

“I would just watch and listen (to them), and when they are gone, that’s the time I would pick up a guitar and try to copy what they’ve been doing,” Mhlanga said.

His brothers also introduced him to the music of the guitarist who would become his idol — Jimi Hendrix.

“I got inspired by one album of Jimi Hendrix,” recalled Mhlanga. That album was “Band of Gypsys,” released in 1970.

“My brother brought it home, and I thought, wow, that guitar,” Mhlanga added. “My brother kept repeating it, and it was like he was injecting me with this music.”

One especially memorable song was “Machine Gun.” The 12-minute jam-style protest of the Vietnam War is often hailed as Hendrix’s greatest work. It showcases a stunning display of guitar virtuosity.

“His approach to the music and the ideas that he was introducing, the sustain of the guitar which he used and the feedback, I don’t think anybody was doing what he was doing,” Mhlanga explained. “Even today, it still keeps me going.”

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“The music of way back then had a lot of messages which was building people’s thoughts, people’s behavior, which was bringing people together and had so much love in it,” said the guitarist. “All that music really play(ed) a part in my growth.”

Professionally, Mhlanga started fronting bands in the late 1970s, mixing both American and Zimbabwean influences. Still, it was through collaboration that he made his mark, working with Zimbabwean music icon Oliver Mtukudzi.

Venturing further, he immersed himself in the rich guitar traditions of southern and West Africa, infusing the traditional mbira rhythms of the Shona people into his own vibrant and modern electric guitar style. Fusing together all these sounds, Mhlanga says, has enhanced his creativity.

“I thought maybe I should try and pick up some traditional songs and change them and play them in my own way, and that kind of worked,” Mhlanga said.

“I think all those different cultures are a melting pot for me, so it also brings out something different to me,” he added.

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“Slowly, I injected that idea into my mind, and it started growing within me. A song came up, another one came up and kept on growing, and the rest is now history,” he said.

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vindhya telelinks limited (vindhyatel) expands into new market ✌️【Yield】✌️ Expert market analysis and predictions for India, US, and European stocks. Stay updated with real-time data on stock indices, futures, and commodities to help you make informed, timely investment decisions. Affected by the woes of living in a brutal apartheid state, he relocated to the UK, seeking a more conducive environment for his music. However, his heart remained in South Africa, and he eventually returned, determined to contribute to the country’s vibrant music scene.

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vindhya telelinks limited (vindhyatel) expands into new market ✌️【Yield】✌️ Free stock market analysis and data updates to help you select the best investment portfolio. Achieve steady growth and avoid losses with expert predictions and real-time market insights. The musician was featured on the 1996 collaborative album “Place of Hope” alongside George Duke, James Ingram and Al Jarreau. In addition to releasing an album with American jazz steel pannist Andy Narell, he recently released “Two Words” with Budha Building (a pseudonym of Dutch musician Hans Timmermans).

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“It’s saying that we are living for each other; we are a chain,” the musician explained. “We need that respect and love within each other to uplift each other.”

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