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Does Sphere live up to the hype? Are the interior visuals as eye-popping as the ones outside? Is U2, the beloved Irish band now in the latter stage of their career, the right act to christen this arena the size of a small planet?

Describing the Sphere concert experience is a challenge, because there’s nothing quite like it. The effect is a little like being in a giant planetarium, a juiced-up IMAX theater or maybe VR without the headset.

Built by Madison Square Garden Entertainment, Sphere is being billed as the world’s largest spherical structure. At 366 feet tall and 516 feet wide, the partially hollow arena could fit the entire Statue of Liberty, base to torch, comfortably inside.

Its cavernous, bowl-shaped theater contains a stage at the bottom level, flanked by what is reportedly the world’s largest and highest-resolution LED screen. The screen wraps up and around the audience members, and depending on the location of your seat, it can fill your entire field of vision.

In today’s multimedia entertainment world, overused buzzwords like “immersive” get thrown around a lot. But Sphere’s vast screen and pristine sound truly earn that label.

“It’s an overwhelming experience visually … it was mind-boggling,” said Dave Zittig, who traveled with his wife Tracy from Salt Lake City for Saturday night’s show. “And they picked the right band to open it with. We’ve been to concerts around the world, and this is the coolest venue we’ve been to.”

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Friday brings the premiere of “Postcard From Earth,” a film by Darren Aronofsky that promises to take full advantage of Sphere’s enormous screen by offering viewers a, yes, immersive tour of the planet. And more concerts will be coming in 2024, although no artists have been announced. (Someone is probably already courting Taylor Swift.)

Visitors can walk through alleys and across parking lots to reach Sphere, just east of the Strip, although the easiest way is through a pedestrian walkway from the Venetian resort, a partner in the venture.

Once inside you’ll encounter a high-ceilinged atrium with hanging sculptural mobiles and long escalators leading to the upper levels. But the real draw is the theater and its wraparound LED canvas, which boasts 268 million video pixels. That sounds like a lot.

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Your idea of the ideal seat will depend on how much you want to see the artist up close. The 200 and 300 levels are at eye level with the center of the massive screen, while seats in the lowest level will be closer to the stage but may have you craning your neck to look up. And be warned: Some seats in the rear of the lowest section have obstructed views.

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U2 retains a huge loyal following, writes grandiose songs and has long pushed the boundaries of technology – notably on their Zoo TV tour – making them a natural fit for a pioneering venue like Sphere.

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Bono seemed to embrace the Sphere’s trippy visuals, saying, “This whole place feels like a distortion pedal for the mind.”

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“I go to a lot of concerts and I usually wear earplugs, but I didn’t need them for this one,” said Rob Rich, who flew in from Chicago with a buddy for the show. “It was so immersive,” he added (there’s that word again). “I’ve seen U2 eight times. And this is the standard now.”

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But more often, the visuals were spectacular. At one point during “The Fly” the screen created a dramatic optical illusion that the venue’s ceiling was descending towards the audience. For “Tryin’ to Throw Your Arms Around the World” a real-life rope was lowered from the ceiling and connected to a virtual balloon high overhead.

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