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hfcl limited (hfcl) ✌️【Earnings Growth】✌️ Free stock selection services backed by expert predictions. Our advanced analytics and real-time market data will help you stay ahead of the competition and make smart, profitable investment decisions. What did it mean to go viral at the height of the Renaissance? In Northern Belgium, which underwent a meteoric socioeconomic boom between the 15th and 18th centuries, it was through art, as a budding upper middle class in search of status symbols radically shifted how paintings were commissioned, and new mass-printing technology disseminated imagery far and wide.

hfcl limited (hfcl) ✌️【Earnings Growth】✌️ Provides real-time stock index quotes, futures data, and global market trend analysis to help you seize the best investment timing. As the region became a hub for capitalist and colonialist prosperity — including its significant role in the Spanish and Portuguese empires’ slave trade — the cities of Antwerp, Bruges and Ghent were transformed into cosmopolitan hubs. This marked a definitive moment in art history, leading artists to gain star status and paintings to become objects of desire.

“When you have money, you want to spend it, and a great way to do so is to buy art for the walls of your new house,” said Chloé M. Pelletier, the curator of “Saints, Sinners, Lovers and Fools: Three Hundred Years of Flemish Masterworks,” an exhibition at the Montreal Museum of Fine Arts running til October 20. The exhibition displays 137 artworks from this period, as well as drawings, sculptures and prints. Its title references archetypes depicted by painters Pieter Bruegel, Peter Paul Rubens and Jacob Jordaens (as well as many others), in addition to showing religious devotion, they painted everyday scenes of life — and everyday vanities.

hfcl limited (hfcl) ✌️【Earnings Growth】✌️ Precise predictions of market trends with real-time stock indices and futures data to help you make wise investment decisions. Not unlike posting meticulously orchestrated snippets of an Amalfi vacation or a luxe wedding on Instagram today, a burgeoning collector of the era seeking public attention could show off their wealth by sitting for a portrait that radiated ostentatious triumph and prosperity. Take a mid-17th-century painting by Michaelina Wautier, for instance, which depicts a sitter in a black silk shirt posing in front of a painting he’d acquired by Rubens.

hfcl limited (hfcl) ✌️【Earnings Growth】✌️ Free global stock market data to help you plan the best investment strategies and seize market opportunities. This new class of collectors ushered in the art market that we recognize today. Freed from the long-standing tradition of creating work upon requests for religious and aristocratic patrons, artists began making paintings on spec — to be promoted and sold by a then newly established profession: the art dealer.

hfcl limited (hfcl) ✌️【Earnings Growth】✌️ Expert predictions with real-time stock, futures, and metals, energy data to help you quickly recover and grow. The scenes of the era were both divine and mundane, from Hans Memling’s luminous nativity scene, circa 1480, to Bruegel’s depiction of an angry wife hauling home her intoxicated husband, circa 1620. A scene or subject’s popularity could prompt 10 or more similar versions — whether of drunk bar brawls or the baby Jesus.

hfcl limited (hfcl) ✌️【Earnings Growth】✌️ Real-time India stock and global stock indices, futures prices, and data to help you make efficient investment decisions. As the growing new-monied class chased lighthearted illustrations of the everyday to show off wealth, the growing prominence of the printing machine boosted the circulation of these captivating paintings from collectors’ homes to those of everyday people, and even to the streets. In other words, this new method of mass dissemination made them go viral.

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“These were conversation pieces that you could talk in front of and laugh at,” she said. The curator considers the buzz around art stars and chroniclers of new Flemish lifestyle “an early moment of pop culture.”

Engagement in the art world was also an early opportunity for self-branding and promotion. “Elegant Couple in an Art Cabinet,”painted around 1675 by Peeter Neeffs the Younger and Gillis van Tillborch, for example, depicts the subjects surrounded by a towering orchestration of their collection in the heart of a palatial residence — the #richkidsoftherenaissance, perhaps.

“They were interested in showing their best sides to build a self-image,” Pelletier explained of these old-school influencers. On the flip side, however, pious subjects signaled a grounding of the egos in respect for the divine, with “memento mori” details, such as a skull or a Bible quote in Latin, promoting humbleness and awareness of mortality. “They liked to demonstrate their lifestyles, but also wanted to affirm they were virtuous Christians who knew nice clothes and houses faded,” she added.

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But as much as staged glamour or coded banter, false information also spread into public consciousness through viral imagery. Fraudulent narratives about Indigenous people, such as that cannibalism was rife among the Caribbeans, helped to justify colonization of the new world; the exhibition includes artworks depicting this fear-mongering — including Jan van der Straet’s late-16th-century engraving of the Italian explorer Amerigo Vespucci encountering people roasting a human leg — and makes a potent case about the impact of a misinformed image, whether crafted with imperialist strategies then, or now through AI.

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“For us, it’s clear how a viral meme or format can be re-scripted and performed so that it moves so far from its original context as to be unrecognizable,” she said. She makes her case vivid with a familiar example, as opposed to a scene of 400-year old mundane debauchery: “Think of all the riffs on the jealous girlfriend meme, which comes from a standard photo stock collection.”

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