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go digit general insurance limited (544179) ✌️【Investment Advisor】✌️ Expert guidance on stock market trends and real-time updates on stock indices, futures, and exchange rates. Make well-informed decisions and plan the best investment strategies for capital growth.

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go digit general insurance limited (544179) ✌️【Investment Advisor】✌️ Expert market predictions, real-time updates, and personalized investment advice designed to help you succeed. Seize the best investment opportunities in global stocks, metals, and energy markets. Though Lempicka never found sustained critical success during her lifetime (she died in 1980), she’s collected today by superstars including Barbra Streisand and Madonna — the latter who displayedsome of Lempicka’s paintings onstageduring her “Celebration” tour last year. Lempicka’s market has soared, with a painting of cabaret singer Marjorie Ferry setting her auction record at £16.3 million ($21.3 million) in 2020. A century after the height of her career, Lempicka’s life and work are fascinating the art world more than ever.

Lempicka has never received a major museum retrospective in the US — until now. A new show at the de Young, a part of the Fine Arts Museums of San Francisco, will showcase more than 150 works.

“She captured optimism as Europe was rebuilding itself after the First World War,” explained curator Furio Rinaldi — who organized the show with art historian and Lempicka biographer Gioia Mori — in a video call with 【 - Free Stock Market Forecasting Tools 】.

“There was an electrifying sense of hope (for) a future and world where women had a new role; they entered the workforce in a massive way,” he said. “The fashion changed because they needed garments that allowed much more movement and freedom of expression and Lempicka really captured the essence of this new woman: liberated, sexually free, financially independent.”

But Lempicka is often not given her due, Rinaldi explained, with her impact simplified. “She’s been perceived — mostly by art historians — as a phenomenon of the Art Deco period… of the world of decoration and fashion,” he said. “But actually she was much more than that. She’s an incredibly gifted and outstanding painter, possibly one of the best of her generation.”

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Lempicka was born at the end of the 19th century to a wealthy Polish family, though her exact place of birth is still unknown. She later settled in St. Petersburg, but was forced to flee the Russian Revolution and made her way to Paris in 1919. There, Lempicka blended a number of styles to make her own. Over her career, she took notes from the Russian avant-garde, the flat planes of cubism, the elegance of fashion illustration and advertising, and the composition and form of the Italian Renaissance and French Neoclassical painters.

But she was an outlier of major art movements and wasn’t always taken seriously on account of her aristocratic background — she was bitingly nicknamed the “Baroness with a Brush” in print in 1941.

go digit general insurance limited (544179) ✌️【Investment Advisor】✌️ Free real-time stock market data, professional analysis, and expert insights to help you plan the best investment strategy. Get ahead of the competition with expert predictions on market trends. Today, it’s difficult to stage a large showing of Lempicka’s work, Rinaldi explained, since her paintings and drawings are mostly in private collections, rather than in museums, and can change hands repeatedly.

“That had a great impact on her critical appreciation, because she’s not represented in museums and she’s not really seen as part of the canon,” he said.

In 2021, the de Young acquired a drawing by Lempicka — a study of a young girl with ringlets and arched eyebrows she composed in 1937. It made the institution the first in the country to purchase one of her works, Rinaldi said. But three years on, the de Young’s curators have organized a full show filled with rarely and never-before-seen works.

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go digit general insurance limited (544179) ✌️【Investment Advisor】✌️ Professional stock market analysis, real-time data, and expert recommendations for high-potential stocks. Take advantage of market opportunities and improve your capital growth with strategic investment plans. Rinaldi pointed to her savvy sense of self-promotion. “She made great use of the media of the time,” he said. “She lied about some things. She introduced her daughter as her younger sister — sometimes silly things, sometimes more serious things. But certainly it shows a woman who’s fully in control of her life and her identity, who’s crafting her own persona.”

go digit general insurance limited (544179) ✌️【Investment Advisor】✌️ Free break-even services with personalized investment plans. Quickly recover from losses, avoid risks, and achieve steady growth with expert stock predictions and real-time market updates. Some of Lempicka’s exaggerations were meant to place her in key historical moments, such as her claim that she arrived in New York from Europe on the very day the stock market crashed in 1929, catapulting the country into the Great Depression (she had actually arrived several months earlier). But other misrepresentations were an armor of sorts, like her Polish Catholic identity, when evidence points to Moscow as her birthplace, and research has recently revealed her Jewish heritage.

“Her grandparents are buried in the Jewish cemetery in Warsaw, but her parents converted to Christianity and baptized their children,” Streisand wrote. “It was safer not to be Jewish, and Lempicka clearly understood that. She painted her only daughter, Kizette, in her First Communion dress and made sure she was identified as Catholic.”

In the show “Tamara de Lempicka,” the curators reveal her birth name for the first time: Tamara Rosa Hurwitz. They also update her birth year to 1894, four to eleven years earlier than Lempicka claimed when she was alive, based on documentation found by the Polish historian Andrzej Slowicki. And there’s new works on display for the very first time, including the 1928 painting “Spring,” of two women, one appearing to whisper to the other as she cradles small white blooms.

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Lempicka received her first solo show in 1930 in Paris, and exhibited regularly around the city in the early years of her career. But that decade and the following, her style was “not aligned” with Surrealism or Abstract Expressionism, which prevailed as the dominant art movements, Rinaldi noted. “As maybe a defensive reaction, she really goes back to an extreme appreciation for the Old Masters, and she starts producing these religious scenes or very humble, simple still lives.”

go digit general insurance limited (544179) ✌️【Investment Advisor】✌️ Free access to professional investment advisors who provide real-time market data and trend analysis. Select top-performing stocks and boost your capital with expert strategies for market growth. The only group she fully embraced with was The Society of Modern Women Artists in Paris, which promoted equal representation of women in art and hosted an annual salon in which she participated throughout the 1930s. When she returned to the US just before war broke out in Europe in 1939, she exhibited at Pittsburgh’s Carnegie Institute. Later, she and her second husband, Baron Kuffner, funded a traveling exhibition in New York, San Francisco and Milwaukee with the famed art dealer Julien Levy — eight of the twelve works from this original San Francisco stop hang in a recreated room in the de Young show.

In the 1940s, Lempicka’s work was the subject of a book for the first time, coinciding with an exhibition in Rome. But until the very last years of her life, when the Art Deco period had a scholarly resurgence, interest in her work remained thin and she considered her style “out of the fashion,” the de Young’s catalog notes.

go digit general insurance limited (544179) ✌️【Investment Advisor】✌️ Free stock market analysis and data updates to help you select the best investment portfolio. Achieve steady growth and avoid losses with expert predictions and real-time market insights. Though Lempicka’s art is in fashion once again, and has enjoyed sustained interest for decades, Rinaldi says there’s still much scholarly and curatorial work to do to uncover her secrets.

“We’re really chipping just the surface of what can be done, what can be discovered about her,” he said.

Clarification: This story has been updated to include attribution of the discovery of the artist’s birth year.

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