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why is venus remedies limited (venusrem) rising ✌️【Free Access to Stock Club】✌️ AI-driven stock trend forecasting with free access to real-time market data, offering personalized investment advice and expert predictions. Outfitted with a large film camera and often dressed in athletic wear, Seoul-based photographerKim Seungguhas spent almost 15 years capturing the essence of what he calls “leisure culture” — vacationing, poolside unwinding and communal gatherings — in contemporary South Korea.

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Kim, 45, started capturing these scenes in 2010, during his graduate studies. His project has taken him to the popular Jangheung Hanok Swimming Pool, its mineral waters set against the backdrop of a traditional Korean house; Royal Azaleas Hill, known for its blooming azaleas; Mulbit Park, which features tranquil nature trails; and various campsites in city parks across the country.

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Hisupcoming book “Better Days”features almost 50 photos from the series and delves deeper into themes of community, recreation and work-life balance.

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In many of Kim’s photographs, bleak cityscapes loom in the background, while lively leisurely pursuits take place in the foreground, producing a stark contrast between the pressures of daily life and the moments of joy that punctuate it.

In his photograph of the Hanok swimming spot, Kim showcases a teeming pool framed by traditional Korean architecture of wooden structures and curved roofs, echoing a dialogue between past and present. Children splash in the water, their laughter almost palpable in the air. Parents lounge poolside in colorful swimwear, while others float on inflatable tubes.

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Kim’s locations for “Better Days” often focus on the middle class, rather than the upper echelons of Korean society.

“Upper-class people tend to be in luxurious, exclusive places that are inaccessible, such as high-end resorts or hotels, making it hard to observe their culture closely,” he said, adding: “I believe that the culture enjoyed by the majority better represents Korean society.”

“In the Joseon dynasty, genre paintings often depicted the culture of the common people, much like European genre painters who focused on local festivities and peasant life,” he said, referencing the neo-Confucian dynasty that shaped Korean history from the 14th to the late-19th century.“Such depictions reveal a lot about the era, as upper-class life is often hidden behind layers of luxury, while the open culture of the common people reflects a modern folklore.”

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“In the 1980s and ‘90s, the push for political reform — especially following the 1987 democratic uprising — sparked a strong desire for freedom and democracy. This led to the acceptance of Western cultures from America and Europe,” he said. Kim added that the pursuit of individualism in Korea coexists with a sense of community, rooted in Confucian values, and a collective yearning for freedom stemming from Japanese occupation and dictatorial regimes.

In turn, Kim said, South Korean society became what he called a “flexible community” that blends individualism with mutual trust — and where gatherings among strangers are considered routine and safe.

Kim’s photographs serve as a testament to a society that, while grappling with the pressures of long work hours and rapid modernization, finds moments of joy and connection. He insists his work does not directly address political issues, but when asked about various challenges facing South Korea today, fromrecent political turmoilto adeepening demographic crisis, the photographer said he considers society’s “contradictions” to be “growing pains toward a better democracy and a better world.” He sees these ideas as part of “Better Days,” adding: “Korean society has overcome many challenges through the power of its citizens, and the passion reflected in our leisure culture indicates the potential for improvements.”

Long work hours and short breaks have led many Koreans to live close to urban centers, withover 80% of the population living in cities. And within Kim’s photographs there is an intriguing duality — a tension between the oppressive cityscape and the colorful leisure activities of its residents.

He frequently employs vivid colors, high-angle shots and distant vantage points, capturing the broader context of social interactions.

“People may view the long hours and short vacations in Korea negatively, but I see them as a reflection of individuals adapting to and overcoming challenges, showcasing their diligence,” he said. “We accept these contradictions to some extent, and within that lies a pursuit of satisfaction in leisure. This optimism is evident in Korean leisure culture, which I aimed to express through warm, bright exposures.”

He also stressed the importance of his creative process and commitment to “slow photography,” which demands patience as he often spends hours observing before capturing a single image.

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