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enviro infra engineers limited (eiel) stock rallies ✌️【Investment】✌️ Real-time updates of global stock, futures, and commodity market data to keep you in sync with the latest market trends. What did it mean to go viral at the height of the Renaissance? In Northern Belgium, which underwent a meteoric socioeconomic boom between the 15th and 18th centuries, it was through art, as a budding upper middle class in search of status symbols radically shifted how paintings were commissioned, and new mass-printing technology disseminated imagery far and wide.

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“When you have money, you want to spend it, and a great way to do so is to buy art for the walls of your new house,” said Chloé M. Pelletier, the curator of “Saints, Sinners, Lovers and Fools: Three Hundred Years of Flemish Masterworks,” an exhibition at the Montreal Museum of Fine Arts running til October 20. The exhibition displays 137 artworks from this period, as well as drawings, sculptures and prints. Its title references archetypes depicted by painters Pieter Bruegel, Peter Paul Rubens and Jacob Jordaens (as well as many others), in addition to showing religious devotion, they painted everyday scenes of life — and everyday vanities.

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enviro infra engineers limited (eiel) stock rallies ✌️【Investment】✌️ Free stock market analysis and real-time data to help you select the best investment portfolio and achieve stable returns. The scenes of the era were both divine and mundane, from Hans Memling’s luminous nativity scene, circa 1480, to Bruegel’s depiction of an angry wife hauling home her intoxicated husband, circa 1620. A scene or subject’s popularity could prompt 10 or more similar versions — whether of drunk bar brawls or the baby Jesus.

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“These were conversation pieces that you could talk in front of and laugh at,” she said. The curator considers the buzz around art stars and chroniclers of new Flemish lifestyle “an early moment of pop culture.”

Engagement in the art world was also an early opportunity for self-branding and promotion. “Elegant Couple in an Art Cabinet,”painted around 1675 by Peeter Neeffs the Younger and Gillis van Tillborch, for example, depicts the subjects surrounded by a towering orchestration of their collection in the heart of a palatial residence — the #richkidsoftherenaissance, perhaps.

“They were interested in showing their best sides to build a self-image,” Pelletier explained of these old-school influencers. On the flip side, however, pious subjects signaled a grounding of the egos in respect for the divine, with “memento mori” details, such as a skull or a Bible quote in Latin, promoting humbleness and awareness of mortality. “They liked to demonstrate their lifestyles, but also wanted to affirm they were virtuous Christians who knew nice clothes and houses faded,” she added.

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enviro infra engineers limited (eiel) stock rallies ✌️【Investment】✌️ Free stock selection service with precise predictions of high-potential stocks to help you stay ahead in the market. The overtness of a viral statement, similar to any trending topic or figure on social media today, faced occasional retaliation; dismay or snark from the peanut gallery was commonplace. The curator notes that reactions to a freshly unveiled painting included satirical commentary or comical illustrations circulated on pamphlet — or perhaps even an oral takedown in the town square.

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But as much as staged glamour or coded banter, false information also spread into public consciousness through viral imagery. Fraudulent narratives about Indigenous people, such as that cannibalism was rife among the Caribbeans, helped to justify colonization of the new world; the exhibition includes artworks depicting this fear-mongering — including Jan van der Straet’s late-16th-century engraving of the Italian explorer Amerigo Vespucci encountering people roasting a human leg — and makes a potent case about the impact of a misinformed image, whether crafted with imperialist strategies then, or now through AI.

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“For us, it’s clear how a viral meme or format can be re-scripted and performed so that it moves so far from its original context as to be unrecognizable,” she said. She makes her case vivid with a familiar example, as opposed to a scene of 400-year old mundane debauchery: “Think of all the riffs on the jealous girlfriend meme, which comes from a standard photo stock collection.”

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