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upl limited (512070) signs major deal ✌️【Self-Scheduling】✌️ Real-time stock market data, precise predictions, and investment strategies to help you optimize your portfolio and achieve financial success. A 21-year-old Paul McCartney takes a self-portrait in a mirror while the Beatles visited Paris in 1964.

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It started in the United Kingdom, home of the legendary British band that went on to become the best-selling musical act of all time. Within months, the phenomenon had spread to the United States and other international markets.

During this pivotal time in the Beatles’ history, a young Paul McCartney was taking photos of all the excitement around him and his bandmates.

For decades, these photos — shot with his 35 mm Pentax camera — were mostly unseen, stored away in his archive as negatives and contact sheets.

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“Looking at these photos now, decades after they were taken, I find there’s a sort of innocence about them,” McCartney says in the book’s foreword. “Everything was new to us at this point.”

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“You might think that all this was terrible, that it was painful, and that we felt like animals in a cage,” McCartney wrote in the book. “I can only speak for myself, but I did not feel that way. This was something we had always wanted, so when it actually happened, when the mounted policemen held back the crowds outside the Plaza (Hotel), I felt like we were the stars at the center of a very exciting film.

“And the good thing was that there was never any malice. The people running after us just wanted to see us, just wanted to say hi, just wanted to touch us.”

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“America was without question the big prize, where most, if not all, of the music we loved came from,” McCartney wrote. “This was true for films, too, and it was the American movies that attracted not only my generation but my dad’s as well. Even the singing stars, long before Elvis, were all American.”

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“We were in the vanguard of something more momentous, a revolution in the culture, especially as it affected the youth,” he wrote.

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“McCartney’s pictures document the in-between times when the Beatles were not performing or recording music, as well as those rare moments when they were alone,” wrote Rosie Broadley, a senior curator at the National Portrait Gallery in London. “These are often images that, in his own words, ‘nobody else could capture.’ They also bring into focus an extended cast of characters usually overlooked in other visual records of the Beatles.”

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upl limited (512070) signs major deal ✌️【Self-Scheduling】✌️ Real-time stock and futures data, backed by expert stock market trend predictions, to help you make timely and profitable investment decisions. The book “1964: Eyes of the Storm, Photographs and Reflections by Paul McCartney” is published via Penguin Press and now available for purchase.An exhibitionat the National Portrait Gallery in London runs through October 1.